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Šwp˜_•¶b‹Zp‰ðàE•ñbŒû“ª”­•\b“WŽ¦”­•\bŽóÜb“Á‹–oŠèbƒƒfƒBƒA•ñ“¹

[section]Šwp˜_•¶i¸“Ç‚ ‚èj


--- 2021”N“x ---
œ ŽRú±Œ«lCGuan SikunC¼–Ø‹PC–Ø‘º’©ŽqCŽÄ“cŽj‹vFSIGMA RetrieverFƒCƒ[ƒWƒx[ƒXƒhƒ‚ƒfƒŠƒ“ƒOEƒŒƒ“ƒ_ƒŠƒ“ƒO‚Ì‚½‚ß‚ÌŒŸõ‹@\‚̐݌v‚ÆŽÀ‘•Cî•ñˆ—Šw‰ï˜_•¶ŽƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒcCVol. 10, No. 1, pp. 16 - 27 (2022.2)

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œ Keisuke Arai, Miki Matsumuro, Satoshi Hashiguchi, Fumihisa Shibata, Asako Kimura: Hot-cold confusion: Inverse thermal sensation when hot and cold stimuli coexist in a thermal localization task, Perception, Vol. 50, 6: pp. 508 - 523 (2021.4)



--- 2020”N“x ---
œ ŽRèŒ«lC‰ªŒ´_•½C–Ø‘º’©ŽqCŽÄ“cŽj‹vF‰æ‘œÚ‡‹Zp‚ÉŠî‚­LŽ‹–ì‰æ‘œ‚Ì‚½‚߂̉BÁŒ»ŽÀŠ´’B¬–@Cî•ñˆ—Šw‰ï˜_•¶ŽƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒcCVol. 9, No. 1, pp. 34 - 42 (2021.2)


œ Yuto Kimura, Asako Kimura, and Fumihisa Shibata: Representing virtual transparent objects on optical see-through head-mounted displays based on human vision, Applied Science, 2021, Vol. 11, No. 2, Article 495 (2021.1)

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œ Sei Ikeda, Yuto Kimura, Shinnosuke Manabe, Asako Kimura, and Fumihisa Shibata: Shadow induction on optical see-through head-mounted displays, Computer and Graphics, Vol. 91, pp. 141 - 152 (2020.7)

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œ ¼“c‚ ‚ä‚݁CŒÃ‰ê—G–€C¼Žº”ü‹ICŽÄ“cŽj‹vC“c‘ºGsC–Ø‘º’©ŽqF—lX‚È’¼ü‰^“®‚Ɖñ“]‰^“®‚Ì‹¤‘¶Žž‚ÌŽ‹Šo—U“±«Ž©ŒÈ‰^“®Š´Šo‚ÉŠÖ‚·‚élŽ@Cƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï˜_•¶ŽCVol. 22, No. 2, pp. 101 - 112 (2020.5)

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--- 2019”N“x ---
œ •Ð‰ª—C‘¾C‰œì‰Ä‹PC‹´Œû“NŽuCŽÄ“cŽj‹vC–Ø‘º’©ŽqF•¡‡Œ»ŽÀŒ^Ž‹ŠoŽhŒƒ‚ª“à—e—ʐ„’è‚É—^‚¦‚é‰e‹¿Cƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï˜_•¶ŽCVol. 21, No. 2, pp. 225 - 234 (2019.5)

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--- 2018”N“x ---
œ ŒÃ‰ê—G–€CÎ’Íq‘åC¼Žº”ü‹IC‹´Œû“NŽuCŽÄ“cŽj‹vC“c‘ºGsC–Ø‘º’©ŽqF’¼ü‰^“®‚Ɖñ“]‰^“®‚ª‹¤‘¶‚·‚éê‡‚̃xƒNƒVƒ‡ƒ“Œø‰ÊC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 24, No. 1, pp. 31 - 41 (2019.3)

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œ ì‰z^”¿CŽR–{‘ñ–çC‘å’ΖƒˆßCŽÄ“cŽj‹vC–Ø‘º’©ŽqF“¹‹ïŒ^ƒfƒoƒCƒX‚ðŠˆ—p‚µ‚½•¡‡Œ»ŽÀŒ^“dŽq’¤ƒVƒXƒeƒ€Cƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï˜_•¶ŽCVol. 20, No. 4, pp. 491 - 500 (2018.11)

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œ óˆä‘ñŒÈC‘å’ΖƒˆßCŽÄ“cŽj‹vC–Ø‘º’©ŽqFOpenPalmMenu: Žè¶‚É•tE’ǐ‚·‚é“dŽqƒƒjƒ…[‚Ì’ñŽ¦‚Æ‘€ìCƒRƒ“ƒsƒ…[ƒ^ƒ\ƒtƒgƒEƒFƒACVol. 35, No. 3, pp. 32 - 44 (2018.7)

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--- 2017”N“x ---
œ Damien Constantine Rompapas, Aitor Rovira, Alexander Plopski, Christian Sandor, Takafumi Taketomi, Goshiro Yamamoto, Hirokazu Kato, and Sei Ikeda: EyeAR: Refocusable augmented reality content through eye measurements, Multimodal Technologies and Interaction, Vol. 1, No. 4, Article 22 (2017.9)

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œ Shohei Mori, Sei Ikeda, and Hideo Saito: A survey of diminished reality: Techniques for visually concealing, eliminating, and seeing through real objects, IPSJ Transactions on Computer Vision and Applications, Vol. 9, No. 17 (2017.6)

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œ Takafumi Taketomi, Hideaki Uchiyama, and Sei Ikeda: Visual-SLAM algorithms: A survey from 2010 to 2016, IPSJ Transactions on Computer Vision and Applications, Vol. 9, No. 16 (2017.6)

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œ X®•½C’r“c¹C¼–؂ЂƂ݁C¼‰i’m“TCŽÄ“cŽj‹vC–Ø‘º’©ŽqC“c‘ºGsF‰BÁŒ»ŽÀŠ´‘ÌŒ±Žž‚Ì—¼ŠáŽ‹–ì•s®‡‚ÉŠÖ‚·‚élŽ@C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 22, No. 2, pp. 251 - 258 (2017.6)

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œ ‘哈‰À“ށC‹´Œû“NŽuCŽÄ“cŽj‹vC–Ø‘º’©ŽqFR-V Dynamics Illusion‚ªd‚³’mŠo‚É—^‚¦‚é‰e‹¿‚Ì‘ª’è‚ƍlŽ@C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 22, No. 2, pp. 259 - 267 (2017.6)

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œ ŽR“c‘׌ȁC‹´Œû“NŽuCŽÄ“cŽj‹vC–Ø‘º’©ŽqFMRŠÂ‹«‰º‚ł̍öŠoŒ»ÛR-V Dynamics Illusion‚ÉŠÖ‚·‚鏔lŽ@C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 22, No. 2, pp. 269 - 278 (2017.6)

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œ Mai Otsuki, Kenji Sugihara, Azusa Toda, Fumihisa Shibata, and Asako Kimura: A brush device with visual and haptic feedback for virtual painting of 3D virtual objects, Journal of Virtual Reality, Vol. 22, No. 2, pp. 167 - 181 (2017.6)
DOI: 10.1007/s10055-017-0317-0

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--- 2016”N“x ---
œ ¬¼WLC‹´Œû“NŽuC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFƒŠƒjƒAƒxƒNƒVƒ‡ƒ“Œ»Û‚ð‚‚ß‚éLŽ‹–ì‹óŠÔ‚Å‚ÌŽü•ÓŽ‹ŽhŒƒ‚ÌŠˆ—p‚Æ‚»‚ÌŒø‰ÊC“dŽqî•ñ’ʐMŠw‰ï˜_•¶ŽCVol. J100-D, No. 2, pp. 162 - 170 (2017.2)

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œ ‹´Œû“NŽuC•Ð‰ª—C‘¾CŽÄ“cŽj‹vC–Ø‘º’©ŽqFR-V Dynamics IllusionFŽÀ•¨‘̂Ɖ¼‘z•¨‘̂̈قȂé‰^“®ó‘Ô‚ªd‚³’mŠo‚É—^‚¦‚é‰e‹¿C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 21, No. 4, pp. 635 - 644 (2016.12)

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œ ‹´Œû“NŽuCŽÄ“cŽj‹vC–Ø‘º’©ŽqF•¡‡Œ»ŽÀŒ^Ž‹ŠoŽhŒƒ‚ª‰·—âŠo‚Ì’mŠoˆÊ’uE’mŠo•‚É—^‚¦‚é‰e‹¿C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 21, No. 3, pp. 503 - 511 (2016.9)

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œ —›‹à‰àCÄ“¡ƒÆCX®•½C’r“c¹CŽÄ“cŽj‹vC–Ø‘º’©ŽqC“c‘ºGsF‰BÁŒ»ŽÀŠ´‹Zp‚ð—p‚¢‚½‰f‰æ§ìŽx‰‡ƒVƒXƒeƒ€‚ÌŠJ”­‚Ɖ^—pC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 21, No. 3, pp. 451 - 462 (2016.9)

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œ •½“c—É‘¾˜YCÎ‹´•ü‰ÊCƒ`ƒFƒJƒlƒCCX®•½C’r“c¹CŽÄ“cŽj‹vC–Ø‘º’©ŽqC“c‘ºGsFDOMINO TopplingFŽÀ•¨‘̂Ɖ¼‘z•¨‘̂̃V[ƒ€ƒŒƒX‚È‘JˆÚ‚ð‰Â”\‚É‚µ‚½MRƒAƒgƒ‰ƒNƒVƒ‡ƒ“C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 21, No. 3, pp. 463 - 472 (2016.9)

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œ •Ð‰ª—C‘¾C¼ì•à–¢C‹´Œû“NŽuCŽÄ“cŽj‹vC–Ø‘º’©ŽqF•¡‡Œ»ŽÀŠÂ‹«‰º‚Å‚ÌR-V Dynamics Illusion‚ÆSize-Weight Illusion‚Ì‘ŠŒÝì—pCƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï˜_•¶ŽCVol. 18, No. 3, pp. 177 - 186 (2016.8)

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œ Shohei Mori, Yuya Eguchi, Sei Ikeda, Fumihisa Shibata, Asako Kimura, and Hideyuki Tamura: Design and construction of data acquisition facilities for diminished reality research, ITE Trans. on Media Technology and Applications (MTA), Vol. 4, No. 3, pp. 259 - 268 (2016.7)

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--- 2014”N“x ---
œ ŽRèŒ«lCŽÄ“cŽj‹vC–Ø‘º’©ŽqC“c‘ºGsF•¡‡Œ»ŽÀŠ´‹Zp‚ð—p‚¢‚½¤•i•¨—¬‚É‚¨‚¯‚éŽd•ª‚¯ì‹ÆŽx‰‡C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 19, No. 3, pp. 413 - 422 (2014.9)

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œ X®•½C¬ŒüŒ[•¶CŽÄ“cŽj‹vC–Ø‘º’©ŽqC“c‘ºGsF‰BÁŒ»ŽÀŠ´‚É‚¨‚¯‚é‰B”wŒi•½–ʍS‘©‚ÆŽü•ÓŽQÆ—̈æ‚ÌŒø‰Ê“I—˜—pC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 19, No. 2, pp. 131 - 140 (2014.6)

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œ ŽÄ“cŽj‹vC¼“c—SŽ÷CƒŒƒ”ƒ@ƒ“ƒMƒACì’[‘å•ãCŽRèŒ«lC–Ø‘º’©ŽqFƒ‚ƒoƒCƒ‹MRƒVƒXƒeƒ€\’z‚Ì‚½‚ß‚Ì‹@”\•ªŽUŒ^ƒtƒŒ[ƒ€ƒ[ƒN‚̐݌v‚ÆŽÀ‘•C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 19, No. 2, pp. 215 - 225 (2014.6)

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œ ²–ì—m•½C‹´Œû“NŽuCŽÄ“cŽj‹vC–Ø‘º’©ŽqF“®“I‚ɕω»‚·‚é•¡‡Œ»ŽÀŒ^Ž‹ŠoŽhŒƒ‚ªd‚³’mŠo‚É—^‚¦‚é‰e‹¿C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 19, No. 2, pp. 255 - 264 (2014.6)

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œ •Ð‰ª—C‘¾C‹´Œû“NŽuCŽÄ“cŽj‹vC–Ø‘º’©ŽqF•¡‡Œ»ŽÀŒ^Ž‹Šo’ñŽ¦‚ª’ÉŠoŽhŒƒ‚Ì’mŠo‚É‹y‚Ú‚·‰e‹¿C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 19, No. 2, pp. 275 - 283 (2014.6)

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œ ‘å’ΖƒˆßC‘剺•×C–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFElasticConnections: 3D‹óŠÔ‚É‚¨‚¯‚é•¡ŽG‚ȉ¼‘z•¨‘Ì‚Ì•ª‰ðEŠÏŽ@Žè–@‚ÉŠÖ‚·‚錤‹†Cî•ñˆ—Šw‰ï˜_•¶ŽCVol. 55, No. 4, pp. 1365 - 1377 (2014.4)

paper(PDF)


--- 2013”N“x ---
œ Ryan Arisandi, Mai Otsuki, Asako Kimura, Fumihisa Shibata, and Hideyuki Tamura: Virtual Handcrafting: Building virtual wood models using ToolDevice, Proceedings of the IEEE, Vol. 102, No.2, pp. 185 - 195 (2014.2)

paper(PDF)

œ ˆÉ“¡mˆêC’†ŽR‰ëlC¼‰YŒhMC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFX-Media Galaxy‚É‚¨‚¯‚éˆÚ“®‰¹‘œŽÀŒ»‚Ì‚½‚߂̉¹‘œ•âŠÔC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 18, No. 3, pp. 405 - 414 (2013.9)

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œ –Ê”—GŽ÷C–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFShape-COG IllusionF•¡‡Œ»ŽÀŠ´‘ÌŒ±Žž‚ÌŽ‹ŠoŽhŒƒ‚É‚æ‚édS’mŠo‚̍öŠoŒ»Ûi‘æ2•ñjC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 18, No. 2, pp. 117 - 120 (2013.6)

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--- 2012”N“x ---
œ X®•½CˆêŠ —ljîCŽÄ“cŽj‹vC–Ø‘º’©ŽqC“c‘ºGsFŽÀ¢ŠE‚ÌŽB‰eŒ»ê‚Å3D‰f‰æ‰‰o‚ðŽ–‘OŒŸ“¢‚Å‚«‚éMR-PreVizƒVƒXƒeƒ€‚ÌŠJ”­C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 17, No. 3, pp. 231 - 240 (2012.9)

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œ ˆêŠ —ljîC‰i‰¼‹M_C’Ѻ—E‹BC–k‘ºˆê”ŽCŽÄ“cŽj‹vC“c‘ºGsFƒ}[ƒJƒŒƒXEƒJƒƒ‰Eƒgƒ‰ƒbƒLƒ“ƒO‚ð‹­‰»‚·‚郊ƒn[ƒTƒ‹EƒpƒX–@‚Æ‚»‚ÌŽÀ¢ŠE‰^—pC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 17, No. 3, pp. 241 - 252 (2012.9)

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œ ‚Œ©—Y‰îC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsF•¡”‚Ì“¹‹ïŒ^ƒfƒoƒCƒX‚ðŠˆ—p‚·‚é•¡‡Œ»ŽÀŒ^–؍މÁHƒVƒXƒeƒ€Cƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï˜_•¶ŽCVol. 14, No. 2, pp. 141 - 150 (2012.5)

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--- 2011”N“x ---
œ ™Œ´Œ«ŽŸC‘å’ΖƒˆßC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsF‰¼‘z•¨‘Ì‚Ö‚Ì•`‰æŠ´‚ð’B¬‚µ‚½V•MŒ^‘ΘbƒfƒoƒCƒX‚ÌŠJ”­Cƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï˜_•¶ŽCVol. 14, No. 1, pp. 31 - 42 (2012.2)

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œ ‘ºˆä‰Ã•FC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFŽ‹’®Šo•¡‡Œ»ŽÀ‹óŠÔ‚É‚¨‚¯‚éƒKƒŠƒo[Eƒhƒbƒvƒ‰[Œ»Û‚ÉŠÖ‚·‚élŽ@C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 16, No. 2, pp. 117 - 126 (2011.6)

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œ –Î’nŒ°ˆê˜YCŽÄ“cŽj‹vC–Ø‘º’©ŽqC“c‘ºGsF•¡‡Œ»ŽÀŠ´‚Ì‚½‚ß‚Ì“¯ŒnFƒc[ƒgƒ“ƒJƒ‰[ƒ}[ƒJ‚É‚¨‚¯‚éID•„†‘ÌŒn‚ÆŒë‚茟oE’ù³C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 16, No. 2, pp. 201 - 210 (2011.6)

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œ ‘å’ΖƒˆßC‘剺•×C–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsF3D‹óŠÔ‚É‚¨‚¯‚鉼‘zƒIƒuƒWƒFƒNƒg‚Ì•ª‰ðEŠÏŽ@‚É“K‚µ‚½‘€ì–@‚Ì’ñˆÄ‚ÆŽÀ‘•C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 16, No. 2, pp. 227 - 237 (2011.6)

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œ X®•½CˆêŠ —ljîCŽÄ“cŽj‹vC–Ø‘º’©ŽqC“c‘ºGsF‰BÁŒ»ŽÀŠ´‚Ì‹Zp“I˜g‘g‚Ə”–â‘è`Œ»ŽÀ¢ŠE‚ÉŽÀÝ‚·‚镨‘Ì‚ðŽ‹Šo“I‚ɉB•ÁEÁ‹ŽE“§Ž‹‚·‚é‹Zp‚ɂ‚¢‚ā`C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 16, No. 2, pp. 239 - 250 (2011.6)

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œ –Ø‘º’©ŽqCž[“c–¾OC–Ê”—GŽ÷CŽÄ“cŽj‹vC“c‘ºGsFShape-COG IllusionF•¡‡Œ»ŽÀŠ´‘ÌŒ±Žž‚ÌŽ‹ŠoŽhŒƒ‚É‚æ‚édS’mŠo‚̍öŠoŒ»ÛC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 16, No. 2, pp. 261 - 269 (2011.6)

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œ •½–ì—LˆêC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFDent-Softness IllusionF•¡‡Œ»ŽÀŒ^Ž‹ŠoŽhŒƒ‚É‚æ‚éd‚³’mŠo‚ւ̉e‹¿C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 16, No. 2, pp. 271 - 278 (2011.6)

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--- 2010”N“x ---
œ ‘å’ΖƒˆßC™Œ´Œ«ŽŸC’†“ˆ—F”üC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFŠG•M‚Ì•`‚«–¡‚ðŠˆ‚©‚µ‚½•¡‡Œ»ŽÀŒ^•`‰æƒVƒXƒeƒ€‚Æ•MŒ^‘ΘbƒfƒoƒCƒXC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 15, No. 3, pp. 357 - 367 (2010.9)

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œ X¨«‰ëC–©‰À•FC¼‰YŒhMC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFŽ‹ŠoE’®Šo‚𕹗p‚µ‚½•¡‡Œ»ŽÀŠ´ƒVƒXƒeƒ€‚Ì‚½‚ß‚Ì“ª•”“`’BŠÖ”‚̌l‰»C“d‹CŠw‰ï˜_•¶ŽCCVol. 130, No. 8, pp. 1466 - 1467 (2010.8)

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œ –Ø‘º’©ŽqC“¡“c½ŽiCŠâ–{˜a–çC’J’ÖFŽ÷CŽÄ“cŽj‹vC“c‘ºGsF•Ç–Ê‚Æ‘ìã–ʂ𕹗p‚·‚é“dŽqì‹Æ‹óŠÔWATARIƒVƒXƒeƒ€‚̃fƒUƒCƒ“ƒXƒL[ƒ€‚ÆŽÀŒ»—áC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 15, No. 2, pp. 191 - 201 (2010.6)

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œ ˆêŠ —ljîC¼‘òF_C‘哇“oŽuˆêCŽÄ“cŽj‹vC“c‘ºGsFÄÆ–¾•t—^‚É‚æ‚é•¡‡Œ»ŽÀ‹óŠÔ‚̃‹ƒbƒN•ÏX‚ÌŽŽ‚Ý -MR-PreViz ‰f‘œ‚ւ̉f‰æ“IÆ–¾‰‰o‚ð—á‚Æ‚µ‚Ä-C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 15, No. 2, pp. 213 - 220 (2010.6)

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--- 2009”N“x ---
œ –Ø‘º’©ŽqCãâW‰ëCŽÄ“cŽj‹vC“c‘ºGsF‹óŠÔŒ^ì‹Æ‚Å‚Ì‘I‘ðEˆÚ“®‘€ì‚É“K‚µ‚½“¹‹ïŒ^ƒfƒoƒCƒX‚Ì‹@”\ÝŒv‚Æ•]‰¿Cî•ñˆ—Šw‰ï˜_•¶ŽCVol. 51, No. 2, pp. 314 - 323 (2010.2)

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œ “V–Ú—²•½CŽÄ“cŽj‹vC“c‘ºGsFŒ•ŒƒAƒNƒVƒ‡ƒ“‚ÌŠî–{—v‘f‚Ö‚Ì•ª‰ð‚ƘA‘±“®ì‚̍‡¬\ƒRƒ“ƒsƒ…[ƒ^ŽEwŠwŽ–Žn‚߁Cî•ñˆ—Šw‰ï˜_•¶ŽCVol. 50, No. 12, pp. 2894 - 2899 (2009.12)

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œ Œ®–{–ƒ”üC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsF•¡‡Œ»ŽÀŒ^Ž‹ŠoŽhŒƒ‚Æ’®ŠoŽhŒƒ‚ªGˆóÛ‚É—^‚¦‚é‰e‹¿|ŽY‹Æ‰ž—pƒVƒXƒeƒ€‚Å‚Ì—˜—p‚ð‘z’肵‚½•]‰¿|C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 14, No. 3, pp. 325 - 333 (2009.9)

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œ “V–Ú—²•½C¼ã²lCŽÄ“cŽj‹vC–Ø‘º’©ŽqC“c‘ºGsFƒ|ƒXƒ^‚ð—˜—p‚µ‚½•¡‡Œ»ŽÀŠ´—pŠô‰½ˆÊ’u‡‚킹C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 14, No. 3, pp. 351 - 360 (2009.9)

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œ Î•Ë¶C–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsF•¡‡Œ»ŽÀ‹óŠÔ‘€ì—p‘ΘbƒfƒoƒCƒX‚Ì‚½‚߂̃nƒCƒuƒŠƒbƒhŒ^ˆÊ’uŽp¨Œˆ’è–@C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 14, No. 3, pp. 381 - 389 (2009.9)

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--- 2008”N“x ---
œ Ryosuke Ichikari, Ryuhei Tenmoku, Fumihisa Shibata, Toshikazu Ohshima, and Hideyuki Tamura: Mixed reality pre-visualization for filmmaking: On-set camera-work authoring and action rehearsal, The International Journal of Virtual Reality, Vol. 7, No. 4, pp. 25 - 32 (2008.12)

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œ •½À^ŒáC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFƒWƒFƒXƒ`ƒƒ‘€ì‚ð—p‚¢‚éLŽ‹–ì“dŽqì‹Æ‹óŠÔ‚Ì•¡”l•ª’SE‹¦’²ì‹Æ‚Ö‚ÌŠg’£Cƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï˜_•¶ŽCVol. 10, No. 4, pp. 547 - 557 (2008.10)

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œ Î•Ë¶C”ä‰Ã‹±‘¾C–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFŽ‹’®Šo•¹—p•¡‡Œ»ŽÀ‹óŠÔ‚̃XƒP[ƒ‹Š´‚ÉŠÖ‚·‚élŽ@C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 13, No. 2, pp. 125 - 128 (2008.6)

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œ ‰Æè–¾ŽqCž[“c–¾OC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsF•¡‡Œ»ŽÀŒ^Ž‹ŠoŽhŒƒ‚É‚æ‚éGˆóÛ‚ւ̉e‹¿C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 13, No. 2, pp. 129 - 139 (2008.6)

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œ ”ä‰Ã‹±‘¾C¼‰YŒhMC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFŽ‹ŠoE’®Šo‚ÌŒ»ŽÀ‚Ɖ¼‘z‚ð—Z‡‚·‚é2~2•ûŽ®•¡‡Œ»ŽÀŠ´ƒVƒXƒeƒ€‚ÌŽÀŒ»C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 13, No. 2, pp. 227 - 237 (2008.6)

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œ ‘å’ΖƒˆßC–Ø‘º’©ŽqC¼‰YŒhMCŽÄ“cŽj‹vC“c‘ºGsF•¡‡Œ»ŽÀ‹óŠÔ‚Ƃ̐V‚µ‚¢ƒ}ƒ‹ƒ`ƒ‚[ƒ_ƒ‹EƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“•û–@‚Ì’ñˆÄ‚ÆŽÀŒ»C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 13, No. 2, pp. 247 - 255 (2008.6)

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--- 2007”N“x ---
œ –Ø‘º’©ŽqC•Ð‰ª’¼ÆC’ß“c„ŽjCŽÄ“cŽj‹vC“c‘ºGsF•¡‡Œ»ŽÀŠ´‹Zp‚ð—˜—p‚µ‚½“ŠŽËŒ^—§‘̉f‘œ‚Æ‚Ì3DƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“‚Ì’ñŽ¦E‹L˜^ƒVƒXƒeƒ€C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 13, No. 1, pp. 109 - 118 (2008.3)

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œ “c‘ºGsCŽÄ“c Žj‹vC–Ø‘º’©ŽqCâˆä—¤ˆêC‰¡]ËŒáCà_“cƒ–çC‰Æè–¾ŽqF–hÐŒ¤‹†E–hÐ‘΍ô‚Ì‚½‚ß‚Ì•¡‡Œ»ŽÀŒ^î•ñ’ñŽ¦ |ƒWƒIƒ‰ƒ}‚ð—˜—p‚µ‚½‘ÌŒ±Œ^“®“IƒnƒU[ƒhƒ}ƒbƒv|C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 12, No. 4, pp. 567 - 576 (2007.12)

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œ Î•Ë¶C‘å’ΖƒˆßC”ä‰Ã‹±‘¾C–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsFWatch the Birdie!|ŽOŠ´—Z‡Œ^•¡‡Œ»ŽÀŠ´ƒAƒgƒ‰ƒNƒVƒ‡ƒ“C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 12, No. 3, pp. 259 - 268 (2007.9)

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œ ˆêŠ —ljîCì–ìŒ\—SC“V–Ú—²•½C‘哇“oŽuˆêCŽÄ“cŽj‹vC“c‘ºGsF‰f‰æ§ì‚ðŽx‰‡‚·‚é•¡‡Œ»ŽÀŒ^ƒvƒŒƒrƒWƒ…ƒAƒŠƒ[[ƒVƒ‡ƒ“‚ƃLƒƒƒƒ‰ƒ[ƒNEƒI[ƒTƒŠƒ“ƒOC“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 12, No. 3, pp. 343 - 354 (2007.9)

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--- 2006”N“x ---
œ –Ø‘º’©ŽqCŽÄ“cŽj‹vC’ß“c„ŽjCŽðˆä—¶C‹S–ö–qŽqC“c‘ºGsFƒWƒFƒXƒ`ƒƒ‘€ì‚ðŠˆ—p‚·‚éLŽ‹–ì“dŽqì‹Æ‹óŠÔ‚̐݌v‚ÆŽÀ‘•Cî•ñˆ—Šw‰ï˜_•¶ŽCVol. 47, No. 4, pp. 1327 - 1339 (2006.4)

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--- 2005”N“x ---
œ ˆêŠ —ljîC–Ø‘º’©ŽqCŽÄ“cŽj‹vC“c‘ºGsF•¡‡Œ»ŽÀŒ^ƒAƒgƒ‰ƒNƒVƒ‡ƒ“‚Ì‚½‚ß‚ÌŽ©‘R—Ž‰º•¨•\Œ»–@C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 10, No. 3, pp. 273 - 280 (2005.9)

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œ ŽÄ“cŽj‹vC–Ø‘º’©ŽqC‹´–{’CŒÃ–ìŒõ‹IC•½‰ª‹MŽuC“c‘ºGsF‘½—l‚ȉ”ÀŒ^‹@Ší‚ɑΉž‰Â”\‚È•¡‡Œ»ŽÀŠ´ƒVƒXƒeƒ€‚Ì‹¤’ʃtƒŒ[ƒ€ƒ[ƒN‚̐݌v‚ÆŽÀ‘•C“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï˜_•¶ŽCVol. 10, No. 3, pp. 323 - 332 (2005.9)

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